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Light extravaganza at Galleria Centercity
Zumtobel stages one of the biggest media façades in the world
In the words of Wilfried Kramb, ag Licht's project manager: "Our objective in setting the façade centre-stage was to illuminate this huge surface area in a manner that ensures that the overall impression of the building at night is in keeping with the impression it makes during the day. We wanted our lighting design to reflect the multi-layered nature of the façade and the interplay with overlapping sections. Ultimately, this is how the basic idea of projecting light from the façade sections onto the inner skin of the building came about. For us, the project posed the exciting challenge of developing an innovative idea capable of inspiring all those involved, bearing in mind the existing constraints."
This project marks another stage in Zumtobel's successful entry into façade lighting. Of all the façade lighting solutions that Zumtobel has completed, Galleria Centercity is the biggest project so far. It represents a real milestone on the road to integrated media façade lighting.
"In Asia, people don't just visit shopping malls in order to consume. In the Far East, shopping malls like Galleria Centercity are also a place for social interaction" says Ben van Berkel, the architect in charge of the shopping mall and UNStudio's director. This is why, when designing the building, the Amsterdam architecture firm took pains to ensure it was very user friendly. The shopping mall offers much more than merely opportunities to shop; it even provides various cultural meeting places.
"Shaping the shopping mall as a living space required, externally as well as internally, a unique, creative design force capable of attracting visitors, inviting them to linger and motivating them to return", adds Ben van Berkel. The media façade turns this idea into reality perfectly: gentlywashing soft colour transitions and light sequences moving like waves bring a fascinating sense of movement to sweeping areas of the building. Computer-based animations developed by UNStudio were also integrated into the lighting design. The installed DMX control system ensures individual programming of individual LED spots and paints animations on the surface of the building accurately in every detail. All the LED spotlights interact to produce dynamic images and messages that come alive on the façade. Smooth-flowing transitions between individual sequences of images and colours provide magical, eye-catching features. Despite the fact that these sequences are preset and specially adapted to suit the architecture, no two images seem alike, onlookers are beguiled as a lighting composition with a seemingly unending score is played before their eyes. During the day the cube-like building's presents its reflective, ambiguous architecture with a dash of mysticism but at night it transforms into a shimmering, infinitely mutable urban beacon.
The architects developed a special structure for the façade consisting of double asymmetrically overlaid and vertically arranged aluminium sections that create a moiré effect. The inner layer of lamellas consists of an aluminium panel. For the outer layer, the architects designed custombuilt triangular sections fitted with toughened glass. This detail is particularly important when it comes to lighting effects because the RGB LED spotlights specially developed by Zumtobel are fully integrated into these sections on the outer façade. From there, light is ultimately projected onto the inner façade layer and reflected onto the surface of the building. This indirect, absolutely glare-free light makes it possible to convert the tightly focused LED lighting points into largearea picture elements or pixels. Zumtobel used a total of three different types of pixels that differ in terms of their various optics and resulting lighting effects: High-resolution 400 x 400 mm pixels are used in the corners of the building, in places where straight surfaces blend into a corner, medium-resolution pixels are used. Low-resolution 800 x 800 mm pixels are perfect for the expansive dimensions of the building's straight surfaces. 12,399 of the 22,000 luminaires used are 3.6 W RGB luminaires, while the remaining units (approximately 10,000) are 1.2 W white luminaires. This wide-area indirect pixel concept guarantees extremely high efficiency in relation to the surface area to be illuminated as well as harmonious luminance levels.
Galleria Centercity is a striking example of how façades can become interactive elements of the urban landscape and the way in which urban spaces can be shaped by light - without this indirect, glare-free light causing any nuisance in adjacent areas of the town.
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